Showing posts with label Carol Carter. Show all posts
Showing posts with label Carol Carter. Show all posts

Wednesday, October 10, 2012

Carol Carter interview tomorrow on AHA

Hi Everyone,

You must tune in tomorrow for an interview with the fabulous Carol Carter.  I'm co-hosting Artists Helping Artists blog radio show (the #1 art blog radio show) for the month of October and I'm so excited about tomorrow's show.  Carol is one of my art heroes and now a personal friend.  When I decided to start my watercolor blog 3 years ago I started researching other watercolor artists for inspiration.  She was the first artists I came across on-line and I was hooked!!!  Her work is bold, colorful and flat out amazing!  Since then I've had the privilege to interview her here on my blog.  I also reached out to her for advice and she has been supportive and just amazingly generous with her knowledge and time.  I have since taken a workshop with her in St. Louis.  And during my last visit to STL I visited her fabulous studio and went out on the town.  I just love it when someone you admire turns out to be the real deal and just as nice and genuine in person as you hoped they would be.

I'm also running my Fall Special with the paintings below at 50% off.

"October Bounty" original watercolor on arches paper 18 x24 BUY NOW
"Candy Apple Red" original watercolor on arches paper 6x6 BUY NOW

See you all on Friday for a new Friday Feature

Carrie

Friday, August 31, 2012

Friday Feature: Kristen Powers (Kae Pea)


"Garden of your mind" by Kristen Powers
Hi Everyone,

TGIF!!!  This back to school routine is kickin' me in the rear.  I'm one tired Mommy:)  I hope everyone that was affected by Isaac is doing well.  My in-laws live in Baton Rouge and my bro-in-law in New Orleans and they weathered the storm well.  We are getting remnants of it here in Arkansas but it just brought lots of rain which we were in desperate need of.

This week, I'm bringing you a mixed media artist.  Her work is whimsical, fun and colorful.  She's had her ups and downs with art licensing and is currently on her journey to a happy ending.  Please watch her you tube video linked below.  Not only is her work fantastic but she is really on top of her art marketing also and someone I'm looking to as an example.  To see more of her work and story please check out her links.


How did you get your start?  What’s your artist journey so far?

I got my start when I was five and I melted all of my moms oil pastels on the wall heater! All she said was that it was beautiful!
My journey so far has been a long and winding road. I have dabbled in a bit of all forms of arts and crafts. I lost my mojo for a while after I had a terrible experience with ‘lisencing’ my work. But, ultimately, the creative fire inside of me never died. And the more I tried to repress it, the hotter the flame burned! I went through a series of creative stops and starts and then at age forty, I decided to go back to school to get my degree in art. One of the best choices I have ever made.
"Aligning" by Kristen Powers
Where were you born?

 San Rafael, California….
(in Marin County and my youngest daughter is named Marin!)

If you could live anywhere where would you live?

Hmmm I don’t really know…That is a tough one to answer since I have moved around my whole life (and I am in the middle of moving as I write this!!) I think I would love to just settle in somewhere where I can see the stars at night and have a cozy, artsy house with plenty of room for a garden and my art studio. But there are lots of places I would love to travel to…
"Deep" by Kristen Powers
What’s your favorite thing to paint and why?

I love to paint from my imagination, things that are full of color and exude happiness. Why? Because, I feel that it reveals my true inner spirit of hopefulness. It is my hope to bring a joyful feeling to others through my art. The world is full of enough darkness and sadness and ‘reality’.
 

Could you talk about your painting techniques?  

I have such an experimental mentality. I just want to try everything! My approach varies depending on what medium I am using and even what my subject matter is. I use lots of layers whether I am painting in watercolor or acrylic and when I paint in acrylic I am very generous with my gesso. Lots of times I use acrylic paint in a very washy watercolor way. I really enjoy intuitive painting and often I will paint without any sort of definitive thoughts or plans. I like to see what emerges after I create an abstracted background.

"Random Acts" by Kristen Power
Do you have go-to paints/colors, what are your favorites?

I paint with both acrylic and watercolor.  I guess I consider myself a mixed media artist since I am very prolific and very “all over the board”.
I have always said my favorite color is rainbow! I can’t help it. I just love bright colors!

Do you have a favorite artist?  Who has been your biggest inspiration?

I don’t have just one favorite but if I had to name one, I guess, I would have to say Matisse.
My biggest inspiration is definitely my mom (even though she is no longer with me, she still continues to inspire me).
My teacher, friend and mentor, Carol Carter, has also been a wonderful source of inspiration to me.

You have had some bad experience with art licensing, could you tell us your story?

Well, it is a long and sad story….but in a nutshell, someone took all of the rubber stamp designs  I created and never paid me  for the use of those designs. I know it sounds impossible but, unfortunately, it is not. Unless you are already really a big company (like Disney or Mary Engelbreit) there is not as much recourse as one would hope. Especially when you are dealing with someone in another state….for more of my story you can watch this short video because, after all, some things DO have a happy ending :)

What advice would you have for artists in regards to art licensing?

Follow your gut instinct. Always. It is a difficult road to navigate, surround yourself with good people. Ask lots of questions. Licensing is not for the faint of heart.
"Rising" by Kristen Powers
What have been some of your crowning achievements?

Graduating Magna Cum Laude and receiving my BFA at age forty five!
Getting noticed by one of my favorite artists and asked to teach along side of her!
Having a piece of my art hang in the home of another of my favorite artists.

What are five things you would like to happen in your life in the next five years? Dream big here:)

To teach an art retreat in a beautiful exotic location!
To write and get published, a book of illustrated poems, quotes and inspiring stories for kids and adults.
To have an art shop /studio/ gallery on Main Street in the new town I am moving to.
To take a family trip (and incorporate it with a show or workshop) to a different place every year for the next five years!
To have a successful on-line art and craft ‘channel’.
To have my rubber stamp business thriving and licensing other artists with their own line of stamps! (I know that is 6 but I can’t help it!)
"Time Brings Roses" by Kristen Powers
What is your advice for other artists who are just getting started in their career?

Don’t compare yourself to others and never, ever give up.

What is the best advice that you have received as an artist?

To not compare myself to others and to never ever give up!
"Up Do" by Kristen Powers

 SPEED ROUND!

Chocolate or vanilla?
Chocolate

Your dream vacation spot?
Hilton Head Island

Book or movie?
Book

Favorite author?
Dr. Seuss

Favorite movie?
Fried Green Tomatoes

Romance or comedy?
Comedy

Favorite dessert?
Hot apple pie with a scoop of vanilla ice cream

Night owl or morning person?
Morning Person

Kristen, thank you so much!!

I'll see everyone Monday with more of my Hopper series:)  Can't wait to share my Hemingway painting with you!

Carrie

Monday, August 13, 2012

Lumos

"Lumos" original watercolor by Carrie Waller 6" x 8" on 260lb Arches SOLD
Hi Everyone,

Did anyone else get swept away in magical wizarding world of Harry Potter?  I certainly did.  When the first book came out my hubby and I were living in Germany and couldn't wait to get our hands on an English copy, this was before Kindles.  They were sold out on base and I borrowed the book from our 13 year old neighbor.  She stayed up all night long reading the book after it's midnight release.  I stayed up the next night reading the book cover to cover and then passed it along to my husband who, in turn, did the same thing.  It was and still is a phenomenon.  So after I painted my first version of this painting for the fabulous Carol Carter, I was thrilled and flattered that Crystal Cook said she wanted me to paint her a version.  Crystal's son a fellow Potter fan said that the painting was cool and that it looked like something out of Harry Potter.  So in honor of the Cook's I am titling this painting "Lumos".  And because I just can't get enough of these ball jars I am painting an 18 x 24 version.
My 6" x8" painting sitting on my 18" x 24" work in progress
I did find it ironic that when I was saving the photo of this painting on my computer I titled it ball jars for CC, then realized that both owners of this painting have the initial CC (Carol Carter and Crystal Cook)  How cool is that:)

See you Wednesday for some more work in progress photos.

Carrie

Friday, June 22, 2012

The Best of Friday Features: Carol Carter

Friday Feature: Carol Carter

"Self" 2011 original watercolor by Carol Carter
Hello Everyone,

This Summer I'm re-running some of my favorite Friday Features.  Carol Carter is definitely in this category.  Not only am I in love with her work, but since doing this interview I've had the opportunity to meet her and she is the real deal.  This lady is amazing and a one of a kind.
 
Today I'm featuring Carol Carter.  I can not tell you how excited I was when Carol agreed to an interview.  When I decided to start my blog 2 yrs ago and start painting seriously I really had been out of the art world for a long time and did not know any of the artists out there today.  When I did searches for watercolor artists Carol Carter was one of first to absolutely make me drop my jaw.  Her work is bold, colorful and fresh.  I fell in love immediately and have been following her career since.  She has been in many magazines and has gained international acclaim.  Not only is she a phenomenal artist but so kind and generous.  Any time I have reached out with a question she has always enthusiastically answered. 

To check out more of her work visit her website and blog.
                                                         
How did you get your start?

I began painting as a child. It was the only way I would get approval or acceptance. It was a way
for me to feel gratified.
"Burst" 30 x 40 original watercolor by Carol Carter
What’s your artist journey so far?

I went to college to earn a BA with a major in painting. After I graduated -- I just expected that I
would be an artist. It was in the late 70’s... and everything seemed possible! Of course, it was
harder to do this than expected.
I went back to school and earned an MFA from Washington University. There I learned how to
manage an art career, as well as how to think about art on a different level. It was an expanding
experience for me.
After graduate school-- I became a more serious artist -- having exhibitions and doing commissions
and earning a living in various degrees of success.
Motherhood became part of my experience in my 30’s. I felt it was more important to be ‘a good
mom’ than successful artist... so I relegated my art to a secondary career.
Now that my son is grown -- I have way more time to invest in my career. I have made a
commitment to grow my career and exposure via the internet and social media.
I have also made a bigger commitment to do more workshops to bring in income.
I feel that I have the artistic credibility of a mid career artist now.
I am teaching workshops nationally and internationally, published in magazines, and beginning to
share my work outside of the United States on a regular basis.

Where were you born?

Sumter South Carolina

"Italy 61" original acrylic by Carol Carter
"Italy 55" original acrylic by Carol Carter

If you could live anywhere where would you live?

I would probably live in Europe- because it feels so accepting of the arts. I love it there. I enjoyed
France and Italy immensely.

"Feel the Heat" 40 x 30 original watercolor by Carol Carter
What’s your favorite thing to paint and why?

I love painting the swimmer and pool because it is a metaphor for life and the human condition. I
love figurative work. I also love the floral.

Could you talk about your painting techniques? I know you paint on the floor and like humid
conditions?


I paint watercolor on the floor-- flat- so the paint can puddle and blossom. I use the organic
watermarks or blossoms to be an important element in my work. The humidity in the air is
important -- because it allows the larger washes of watercolor to dry slowly and carefully -- with
brilliance and color. The longer the paint stays moist -- the more time one has to manipulate it.
I also love to paint acrylic-- and do that vertically on the wall. I paint using glazes and varnishes.
People frequently can’t tell that the paintings are acrylic-- and often confuse them with my
watercolor.

"Slough" original watercolor by Carol Carter
Do you mostly work wet into wet?

I work wet into wet- but only in a controlled area of the paper. I work sectionally-- only wetting the
area which I will manipulate that moment. I never wet the whole paper at once.
I love the blooms and gorgeous color combinations; you really seem to love to play with your paint,
how did you arrive at your current style?
I don’t know when this current style of painting began-- but it seemed to appear after graduate
school. I suppose this working method ‘found me’ after two years of intense work in content,
criticism, and art history. I became the watercolorist that I am today-- shortly after graduation.

Do you have a favorite artist?

I love Eric Fischl and Joseph Raffael. Also Winslow Homer, John Singer Sargent, Pendergast...
Van Gogh... so many!

Who has been your biggest inspiration?


My son. Motherhood has taught me so much about life, love, art, humanity. I often said when he
was little... “ Evan took away my time to paint....but gave me my reason to paint.” He has been my
biggest source of inspiration ever.

What are some of your favorite things or things that are essential to your well being/success as an
artist?


Contact with the people who enjoy my work -- either in person, at a show, in the studio, in the
classroom, or via the web.
I wouldn’t like to paint very much-- unless I could relate to my audience. I love hearing/talking
with other’s about art.
Good light - day light --north light.
Good music in studio.
Time to work.
Good and plentiful art supplies.
Harmony in the home.

"State Fair Pig" original watercolor by Carol Carter
 Do you have go-to paints/colors, what are your favorites?

Watercolor: Burnt Sienna, French Ultramarine Blue, Prussian Blue, Cobalt Turquoise, Aureolin
Acrylic: Titanium White, Baltic Blue, Naples Yellow, Quinacridone Gold.

How do you balance your teaching life with your art career?

It used to be hard -- but not it is easy -- because my son is grown.
However, when he was small -- I used to paint ONLY during the school day -- and not beyond. I
would spend more time with him and his needs than on my art. I would say it is a challenge to have
a family AND an art career... but it is possible!
For the last two years I taught watercolor/painting at a local university. It seemed like I had NO
time to manage my career in the studio. I loved teaching this intensely ... but it didn’t leave me
enough time to paint.
Now I only teach workshops -- and I am trying to teach one a month -- so that it allows for studio
time. So far.... it is working.

What are five things you would like to happen in your life in the next five years? Dream big here:)

Travel/teach in Italy.
Travel/teach in India.
Trip to China to see the Silk Road and develop a show on this imagery.
A museum exhibition.
An exhibition in NYC.

"Glads" 22 x 30 original watercolor by Carol Carter
"Lanterns" 30 x 40 original watercolor by Carol Carter
 What is your advice for other artists who are just getting started in their career?
Paint as much as you can.


Paint only what you want to paint-- don’t paint for an audience.
Learn everything about art-- framing, marketing, business, photography.
You will have to do it ALL in your career-- so learn everything it takes.
Show everywhere. No show is too small. There are no “small shows”.... only “small artists.”
You never know what the exposure will bring to you -- when your work is outside the studio.
Paint everyday.
"Afternoon Shadows" 11 x15 original watercolor by Carol Carter
 What is the best advice that you have received as an artist?

Show up to the studio 6 days a week to work and paint. On Sunday -- go to the studio to look at
your work.
Paint every day.
Your work doesn’t improve from painting-to-painting... it grows from year-to-year.

SPEED ROUND!

Chocolate or vanilla? Chocolate!

Sunny beach or rustic mountain retreat? Beach!

Book or movie? Movie!

Favorite author? David Sideris

Favorite movie? Titanic

Romance or comedy? Romance!

Favorite ice cream flavor? Butter Pecan!

Night owl or morning person? Morning!

Cake or Cupcakes? Cupcakes!

Thank you so much Carol!!  That was a phenomenal interview and I can't wait to meet you in the future:)

Carrie

Wednesday, February 29, 2012

Guest Blogger: Rhonda Carpenter


Carol Carter (left) and Rhonda Carpenter (right)
 Hi Everyone,

Today I'm having my first guest blogger:))  The wonderfully talented R.H. Carpenter is going to give us her take on Carol Carter's workshop. Rhonda and I have been blogging buddies for a while and coincidentally ended up in the same workshop.  It's was so great to meet her in person.

R.H. (Rhonda) Carpenter is a watercolorist who picked up her brushes 9 years ago and has not stopped painting since.  She has had work accepted in juried shows at the Woman’s Art Club of Cincinnati, the Cincinnati Art Club Viewpoint, the Fitton Art Center, and the Middletown (OH) Art Center.  She has also shown her work in member shows of the Greater Cincinnati Watercolor Society and the Woman’s Art Club of Cincinnati.  She is the Program Chairperson for the Greater Cincinnati Watercolor Society, and is currently working in a series of female figures and crows.  Crows often show up in Rhonda’s paintings.  Having these interesting and intelligent birds as totem animals teach her about transformation as an artist and a woman.

Rhonda shares my passion for watercolor and does beautiful, symbolic paintings.  To see her works check out her blog.

*Working with Carol Carter, watercolorist extraordinaire!*

Taking a 3-day watercolor workshop with St. Louis watercolor artist, Carol Carter, was like having a bright burst of summer colors on a grey winter day.  The workshop was hosted by the Cedarhurst Center for the Arts (Mount Vernon, IL), and the 90-acre grounds of the Center were an additional delight.

Carol’s style of painting in watercolors can only be described as colorful, and she freely shared the way she paints every day in her studio.  She began the first day with a demo of her very wet-in-wet style of painting.  She always prewets her paper, allowing the paint to flow into the wet paper.  This is beautiful to watch, if you love watercolor.

Carol stressed that her use of placing pure colors against pure colors are what gives her paintings a special zing. She also uses a limited palette, never using more than 6 pigments in one painting, tying the painting together with a unifying color which she spreads throughout the painting.  She gets real pop in her paintings from pairing pure complementary colors against each other (like Cadmium Orange against Cobalt Turquoise Light).  She also works from the background to the foreground, saving that Center of Interest/Focal Point for last - a sort of delayed gratification in your painting!  Why begin with the background?  Because, as Carol said, “There is no point in manipulating your subject and then trying to put it into an environment later.”
Carol's demo

After we did a small exercise of painting orbs and shaping them using just three colors, we began a real painting of very colorful pears.  Using just two colors (Quinacridone Burnt Orange and French Ultramarine Blue), Carol painted in the background, letting the two colors run together and blend naturally on the wet paper.  Wherever the QBO and the FUB ran together, a beautiful, soft grey was created.

While she painted, Carol talked about her process and how important it is to her to send a message with her paintings, not just paint a technically correct or pretty picture. Many of her paintings are autobiographical, relating to something happening in her life and her self-portraits are her favorite things to do.

What we took away from Day One was to remember that pure colors make the paintings glow.  We should keep them as pure as possible by working wet-into-wet and darkening the values by adding more of the same colors to mold the shape; then we should watch the paint application as it dries so you are there to correct anything happening that you don't want.  Carol’s style of painting is famous for color but it’s really all about technique and control:  when to know to control it and when to let the colors do their own thing.
Carol's demo
For Day Two, we used a more realistic palette of colors and painted florals, either following her magnolia painting demo or painting a floral of our own. 

Carol said imagery is so important and it’s best to paint what you love because your love will show through.  “If you don’t love to paint it, I won’t love to see it!” 

Although she used to be against using a resist of any kind, Carol now uses Incredible White Masking fluid occasionally.  Often she uses it to get a sparkling look in an abstracted background.  However, she thinks pure white paper for the sparkle is too distracting, so she tones the whites down before masking by painting them with pale Shadow Violet and then masking over that when it’s dry.  When the masking fluid is off, the touch of color still looks white but is better integrated into the rest of the painting.

Again, her basic technique is to prewet the paper.  Carol prewet the background after the “whites” were masked out.  Then she used Aureolin to paint graphic lines around the leaves and petals of the flower.  She likes the hard edged element this adds to a painting.  She then began dropping in color in the wet background areas, using a Quinacridone Burnt Orange as the base color over everything in the background except the Shadow Violet area (which was still masked off).  Next came Shadow Green in some areas and Winsor Newton Green (Yellow Shade) in areas.  She varied the shapes and values throughout the background and said you can “knit” areas together by lifting with a dry brush, then merging the colors if you get hard edges in the background that you don’t like.

In her painting of a magnolia, Carol shifted color from dark to light:  a dark background; hugging the boundaries to keep the eye in the painting; Shadow Green to darken places a lot; lighter leaves and petals of the flower.

After the background and foreground around the flower and leaves were done and dry, Carol began with the secondary leaves under the flower, leaving the focal point/center of interest last.  This time, she was working on smaller areas, so she prewet just the space she was working in, no more.  For the leaf shapes, Carol used Aureolin and Quinacridone Burnt Orange with some secondary stems in Quin Burnt Orange and some Lavender.

To have lighter leaves, Carol used Aureolin as the base color on some of the leaves and then added Lavender to shape the shadows and curves of the leaves.  For browner leaves, she used a Quin Burnt Orange base and Shadow Green to shape the shadows and curves.  This has to be a gentle transition.  Carol said you don’t want to let the dark shapes become “wormy looking” so soften and work while the area is still wet.

Carol said, “If you can’t give me a leaf, at least give me a beautiful watercolor shape.”

At the outer edges of the leaves, she cut in with Winsor Newton Green (YS), using lots of water so the shape stays wet and you can manipulate it before it dries but working with a smaller round brush that the round with which she started.

Carol used an acrylic square of deep red as a value checker.  She would hold it up to her eye, looking through it at her painting to check that she was getting good value changes throughout the painting.  This red square took all the color out of the painting, giving you just the values to judge.

Finally, Carol began painting the petals behind the main focal petal, again prewetting the area inside the petal.  Carol said to make sure to wash those greens out of your brushes!!  She is a stickler for clean water, clean brushes and clean, pure pigment, using 3 buckets of water and 3 different brushes when working with 3 colors in her painting.  Carol floated in very pale Quin Burnt Orange, leaving some white areas in the petal.  She then shaped the petal’s curves with Lavender.  Lavender is a very strong pigment, so she used a tiny round brush to work around the outer edge of the petal and to shape the curves inside.  Doing each petal, she finally came to the focal point/center of interest part of the painting.

We each did our own versions, working as Carol did, from background to foreground with a limited palette, trying to get that wet and loose and beautifully flowing look she gets in her paintings.
Carol's demo
On Day Three, we did what Carol calls her Glaze and Silhouette technique.  We each used our own photo for our painting while Carol painted two cows, showing us how it’s done.

First, she taped inside the main subject with masking tape; then used masking fluid to go around the edges, making sure all of the main subject was covered.  She then put masking fluid over the whole subject, covering the tape, too; she wanted to make sure it was completely covered so no lines bled through the masking tape. 

Once the masking fluid was dry, Carol prewet the background.  While the paper was still wet, she began a gradated wash in Cadmium Orange, starting in the center of the painting with pale color and moving up to the top of the painting with darker color, leaving the bottom of the paper without color.  She used a 2 inch wash brush to get the best, smoothest coverage. 

Next, Horizon Blue and Lavender was painted in under the cows to create nice shadow shapes.  She left some white areas showing so the Blue and Lavender did not bleed into each other.

With the paper dry and the masking tape and fluid removed, Carol began painting the first cow as a single subject.  She wet inside the cow except where she wanted to leave whites to help shape it; then she put in pale Quin Burnt Orange as the base color.  The QBO flows inside everywhere but the dry areas you left for the whites.  While wet, Carol added darker value at the top of the cow by painting in Mineral Violet at the top, gradating to Alizarin Crimson down the shanks and toward the legs. Finally, she painted in Cadmium Orange in the legs and did the hooves in a bright Cadmium Scarlet!  She wanted the cow to be cooler at the top and warmer at the bottom, in contrast with the background, which was warmer at the top and cooler at the bottom.  It made her cows look radioactive!!  But so much fun to play with this much intense color.

Finishing the workshop with crazy, radioactive cows was a fun way to end the time spent with Carol.  I think all of us went home with a better understanding and love for color; maybe we’ll even be more colorful and loose in our own paintings!

For more information about Carol Carter and to see her work, visit her blog at http://watercolorcarol.blogspot.com

For more information about me, R.H. Carpenter, and to see my work, visit my blog at http://rhcarpenter.blogspot.com.

And thanks, Carrie, for asking me to be guest blogger today!