If you are like me you are always trying to get better photographs. Whether it be family photos or references for paintings I always want my photos to look professional. I spent my younger years around my Dad who is a professional photographer. He was always trying to tell me about taking pictures but as with most kids I wasn't very interested in listening. I never got past the line "The camera is like an eye" before it all glazed over and sounded like the teacher from Charlie Brown. Now in my adult years I wish I had listened.
I was very excited when I saw a segment on The Nate Berkus show. He has a photographer Me Ra Koh that has been on a few times and she has terrific information. As I was listening to her tips I realized that these ideas easily can be used in our art and compositions. Here are her tips:
1. Look for defining moments.
Her example on the show was instead of having a staged or studio photo, try to find those little moments that you want to remember.
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photo by Annie Ciotola an amazing photographer |
2. Capture moments of tension or emotion
This photo documents my ever constant battle with my youngest son trying to keep his toes off the table. To me it captures his stubborn nature. He is always pushing it to the limit and this is a snapshot into his 2nd year of life.
3. Take photos of memorable settings
I love this photo of my oldest son. Most afternoons you can find us in our dining room counting rainbows. I call this our Pollyanna moments. These rainbows are cast from the chandelier my husband and I scoured the Czech Republic to find. This was the only chandelier we agreed on and it has hung in each house that we have lived in. I just love that this chandelier is now the high-light of my boys day and will be a memory they will remember their whole lives.
After reflecting on these tips that I will be implementing into my family photos I realized this is what I also strive to create in my art. After an art critique where the juror said to me your painting is too literal, I embraced that critique and translated it to mean that I needed to have emotion and a story with each of my paintings. I think that added element really shows through and definitely connects me to each painting and hopefully everyone else.
Here are some examples of my paintings that I've had a great connection with.
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A black and white watercolor, "Smitty", of my Grandfather. This to me is the epitome of him, he was an auto body guy. I remember that jacket and those pants, even though I was 6 when he passed away. |
Carrie