"Palouse Canola" original oil by Mary Maxam |
It's time for another Friday Feature:)) Today I have the superbly talented Mary Maxam. Mary works in watercolor, acrylic and oil for her landscape and still life works. Her paintings are a response to familiar subjects, seen daily and discoveries that take place through the painting process.
Mary's work has shown in many juried national exhibitions, including Oil Painters of America, the Midwest and National Watercolor Societies. She has won signature membership in the National, Northwest and Montana Watercolor Societies, and has contributed both painting and written work for book and magazine articles on painting and design. Publications include "Watercolor Magic","Gray's Sporting Journal", and "Paint Mixing, the 12-Hue Method" by Rockport Press. She also recently guest co-hosted Artists Helping Artists.
How did
you get your start?
I have been playing with art materials for as long as I can remember, and
began using a lot of varied drawing materials, then watercolor, acrylics and
oils. My parents gave me an oil painting set when I was about twelve, but I
didn’t have much idea as to how to handle them and just kind of experimented
until getting some instruction in high school.
Experimenting with varied materials has always continued and my high
school art teacher encouraged that. He created projects that taught us a lot
about paints, paper, sculpture and the
elements of design, and also how to choose paints and paper as part of the
expression or idea. I went to Boise State and then taught high school art myself
for over 30 years. All the while, I continued to paint on my own, experimenting
with style, and for the most part concentrated on watercolor then oil. Over the
years I’ve shown work in cooperative and commercial galleries and various
shows.
Where were
you born?
Boise, Idaho
If you
could live anywhere where would you live?
I’d like to have lived on the east coast for a while as a comparison to
being in the west. But overall, I think the Northwest has been great. Of
course, everyone dreams about that second home, with the perfect studio, on the
beach or at the lake somewhere - haha!
What’s
your favorite thing to paint and why?
Oh my….. you just had to ask, didn’t you!? It is one of my ‘issues’ that
I enjoy painting too many different subjects. But right now I think I’ve got it
down to northwest landscapes, figures (both fly fishing and costumed women) and
florals. That doesn’t sound much reduced, but believe me, it is!
Could you
talk about your painting techniques?
I have so much fun with the contrast
of transparent and opaque paint which I think started with watercolor. I could
rarely get myself to work with transparent glazing alone, even though I greatly
admire it. I have transferred that to
oil and frequently put down a wet transparent wash of color to work into. Then,
I sketch with a brush to get the placement and proportion of the subject. I lay
in the darks first and try to keep them transparent as well. Then the opaque
middle and lighter values are put in and I go back and forth trying to balance
it all out.
My second approach is to start with a brush drawing on white, then
develop each area and blend edges as I go.
Do you
have go-to paints/colors, what are your favorites?
If I were a stranger looking at all my work together, I’d be saying “Wow,
this painter really likes green!” But,
in reality I almost can’t paint without having alizarin or permanent rose to
keep warming and cooling various color mixes. My palette is basically a warm
and cool version of the primaries plus white. The exceptions are the yellows,
which also include ochre and then transparent red oxide.
Do you
have a favorite artist?
Too many to select, but Sargent, Sorolla, Degas,Van Gogh, N.C. Wyeth are
all favorites….probably for the stories their paintings tell as well as the
mastery of paint.
I think my mother, for both overcoming some struggles in her life, but
also for her tenacity and kindness. She wasn’t a painter, but had an excellent
artistic eye. I think she influenced me in my art more than I realized while
growing up.
What have
been some of your crowning achievements?
When I worked in watercolor, I achieved signature membership in the
National Watercolor Society as well as a few others. In oil it has to be the
inclusion of work in the national Oil Painters of America Show and more
recently the OPA western regional to be held in Denver next month. And, I was
recently contacted by Simon & Shuster with a request to use one of my
paintings on an upcoming novel by James Burke. Those are all exciting ventures!
"Sunflower Field" original oil by Mary Maxam |
To become an OPA signature member
A new house with an organized studio space and LOTS of built-in storage!!
A gallery show that is a sell-out ( hey you said dream BIG)
To paint with the Putney Painters for a week
It would be a hoot to have a very well known collector or ‘famous type
person’ buy one of my paintings- I have no idea who that might be J
"Lemon Trio" original oil by Mary Maxam |
Line up all your work and look at it together. Determine your common
strengths, those things that you continually do so well. Then, look at the weak
points and list them separately. Keep building on your strengths and figure out
a plan to work on those areas that need attention. And…paint as often as
possible.
What is
the best advice that you have received as an artist?
I don’t know whether it was specific advice or just an attitude engendered
by my parents, teachers and friends…that art and creating things was part of my
identity. So, if you feel that….there is no quitting, no putting down the
brushes and pencils…. it’s just what you do and who you are, and you practice a
lot!
SPEED ROUND!
Chocolate
or vanilla?
Chocolate
Your dream
vacation spot?
If you see the movie “Enchanted April” (5th question) - you’ll
know the place
Book or
movie?
Book
Favorite
author?
Nora Ephron
Favorite
movie?
Enchanted April
Romantic
comedy…?
Favorite dessert?
Ice cream
Night owl
or morning person?
I’d be
hard pressed to choose either, since I get my best work done about mid-day!
Carrie,
thanks you so much for the opportunity to talk with your followers. It’s been
fascinating to think about the varied questions you’ve posed and it helps me to
focus in my own work and goals as well!
Thank you, Mary for your fascinating interview.
Carrie
Thank you, Mary for your fascinating interview.
Carrie
A really interesting and inspirational interview,
ReplyDeleteThank you both.
Carrie - What a wonderful feature! I love Mary's work! Hope all is well with you!
ReplyDeleteI have been a fan of Mary's work for quite a while Carrie..I love her lovely loose brushwork and gorgeous colors. Enjoyed reading the interview...Thanks to both of you for sharing!
ReplyDeleteThank you Carrie and all those who've taken the time to read a bit about my work and be so generous in your comments!
ReplyDeleteA wonderful interview with a very talented lady!! I have been following Mary for a long time and love her work...
ReplyDeleteGreat feature, Carrie! I love your work and these Friday features, and I love Mary's work, too! Win-Win all around!
ReplyDelete