Showing posts with label Schmincke. Show all posts
Showing posts with label Schmincke. Show all posts

Monday, March 4, 2013

Mixing Greens


I've had several requests to share my green palette and mixing techniques so I thought I would devote todays post to greens.






These are the greens I have been using in my green bottle paintings.  The pans at the top are Schmincke watercolors on the starting from the left is Pthalo Brilliant Grn, Delft Blue (not used in these paintings but wanted to identify what it was), empty space, Sap grn, Hooker's grn, and May grn.  The tube colors below are all Daniel Smith paints starting from the left is Undersea grn, Spring grn, Green Apatite Genuine, Green Gold, Sap Green, Cascade Grn and the end tube on the right is Holbein's Shadow grn.

The yellow I used in this painting is Daniel Smith's Quinophthalone, love this yellow it's in between a cool and warm yellow, kind of a bright fresh neutral.  Love it!!

I also wanted to show my favorite turquoise which is Schmincke's cobalt turquoise.  I always try to sneak a little of this into every painting.  One of my absolute favorite colors.

I always save my paints because I just can't stand to wipe a way paint, feels like I'm throwing money away so I work from dried paints.  Plus I started using pans and they are always in a dry format.  I understand that some artists prefer fresh colors for each painting but I really enjoy using some of the colors I mixed from previous paintings.  Some of my best colors have come out of that.  I do keep my paints segregated by like colors.  So  this palette has only greens.  A tad of orange in there because I used that to mix some of my neutrals.  I always mix my neutral grays by mixing the compliments.  Also my black areas are always a mixture of Indigo and Sepia both Daniel Smith.  But Schmincke makes my favorite Sepia.  

"Going Green" work in progress 18" x 30"

In the painting "Going Green" I began by laying in my lightest colors.  I try to avoid using masking fluid because it can leave such a hard edge, I try my hardest to reserve my whites and paint around them.  It just takes a little more planning but I feel worth it in the end.  So I started with my Quinopthalone yellow.  In the areas that were cooler I laid in a Pthalo Grn mixed with a bit of sap green just to warm it up a bit.  I also lay my darks in right away so I can get the values that I want.  It ensures that the painting is working and helps me to avoid that awkward stage a watercolor can go through if you don't establish the darkest darks at the beginning.  The darks I use in the painting are a mixture of Indigo and Sepia.  To darken any greens I mixed in DS Undersea green or Holbein Shadow Green.  I also mix in a bit of the orange color for a great neutral which in this case was Quinacridone Sienna.

Add caption
I just kept working the above process throughout the rest of the painting.  I followed my reference photo and had my bottles in front of me while I was painting.  If the bottle was warmer and more yellow I stuck with the Quinophtalone yellow and sap greens, in the cooler areas I used phthalo greens and brilliant green.  

If you have any questions I would be happy to answer them.  Leave any questions in the comment section and I'll reply.

Carrie


Friday, November 16, 2012

Friday Feature: Frank Eber

"Donaufahrt" original watercolor by Frank Eber
 Hi Everyone,  It's Friday again.  For all of us in the States we're getting ready for Turkey Day!!!  Today is another spectacular artist Mr. Frank Eber!  His work is amazing!  I'm going to share Frank's bio from his website.

  Frank Eber is a young, up-and-coming watercolor artist who paints uniquely fresh and atmospheric watercolors that possess a dreamy quality. He is known for his loose and magical plein air work. He is a Signature member of the National Watercolor Society and has won awards in many international shows. Frank's painting Dordogne River Valley View, 2011, was awarded the Alden Bryan Memorial Medal at the prestigious American Watercolor Society's 2012 Annual Exhibition in New York City, and is currently in the Travel Show. His work is featured in the October/November 2012 issue of International Artist magazine, the June 2012 issue of Watercolor Artist magazine, Splash 14: Light and Color! (North Light Books, 2013) and on the cover of the Palos Verdes Art Center Fall classes and Daniel Smith 2012 Summer catalogs.

Frank grew up in Europe and was mentored by Italian master painter Renato Casaro in the early '90s. His work is currently exhibited in local as well as national shows and he currently serves as the 2nd Vice President (Traveling Exhibit) on the board of the National Watercolor Society. His love of travel has given him prime opportunities to paint: he lived for two years in the south of France, and has painted on location in Italy, the Netherlands, Austria, Switzerland, Germany and the Czech Republic.

Frank is happily married and lives in Redondo Beach, California.

To see more of his work visit his website and blog
"Les Toits" original watercolor by Frank Eber
 How did you get your start?  What your artistic journey so far?

 My artistic journey began in early childhood. Drawing and painting was always part of my life. But I never pursued a carreer in fine art. Instead I became a professional illustrator in the field of video cover sleeve design in the early nineties. Later I pursued a career in Faux finishing. I haven't discovered watercolor until about ten year's ago.
Also in the nineties, I was fortunate to have studied with Renato Casaro in Munich. He is an Italian master painter who became famous in Europe for his painted movie posters. I did a painting apprenticeship and we worked both in oils and gouache. Other than that, I have no formal art training.

Where were you born?

I was born in Nuremberg, in the state of Bavaria, Germany - Albrecht Duerer is from the same city!

"Santa Cruz Church" original watercolor by Frank Eber
 If you could live anywhere where would you live?

I think I would move back to the south of France where I've lived for three years in the past. I might still do it!

 What is your favorite thing to paint?
 I can't decide! I like painting streets scenes plein air. It's such a formidable challenge and a great teacher! I love painting bucolic scenes with cows and farms, maybe because I grew up around them.

"Satrocesk Trdlo" original watercolor by Frank Eber
 Could you discuss your painting techniques?

 All my paintings are two or three wash paintings. I usually start with the sky and foreground establishing mood and value. I use big squirrel mops that hold lots of water. My paintings are painted loosely and with focus on an
atmospheric feel. I try not to have too many hard edges, so I paint mostly wet on wet and wet on damp.

 What are your go to paint colors?

 Go-to paints are definitely Cobalt blue, ultramarine violet, orange and turquoise, Daniel Smith is great, so is Holbein and Schmincke.
  
"Cow Pasture, Northern California" original watercolor by Frank Eber
 Do you have a favorite artist? Who are your painting inspirations?

Renato Casaro. Joseph Zbukvic is one of my biggest inspiration when it comes to watercolor painting. Also, Christopher St. Leger, Robert Wade and Charles Reid

What have been some of your crowning achievements?

"Three's A Crowd" original watercolor by Frank Eber
Winning one of the major awards at the American Watercolor Society in NYC this year. Becoming a signature member of the National Watercolor Society in 2010. Having a painting accepted at the Shanghai Biennial.
Being featured in both Watercolor Artist's magazine and International Artist without paying to be in there.

What five things would you love to see happen in the next five years?  Dream big here:)

I'd like to become a better painter. On the materialistic side: a *real* studio with lots of space. I'd like to become a household name in the watercolor world! That's dreaming big, right?
You said five, so I'll say the first sentence two more times! :) To me, that's the most important thing in the world!

"Total Concentration" original watercolor by Frank Eber
  What advice do you have for artists just getting their start?

Keep it real, work hard on your craft. Find a niche. Paint outstanding paintings and you'll get recognized. Compare yourself to the elite in your genre and brutaly, honestly assess where you are. Don't ask you family to critique your paintings.

"Vienna Calling" original watercolor by Frank Eber
 What has been the best advice you've received as an artist?

"Make it about the paintings, everything else is secondary"
"Wilder Ranch" original watercolor by Frank Eber
Speed Round:

Chocolate or Vanilla?
Chocolate

Dream vacation spot?
 New Zealand

Book or movie?
 book -

Favorite Author?
 Raymond Chandler

Favorite Movie?
 Run Lola Run

 Romance or Comedy
 Romance

Favorite Dessert?
fresh goat cheese (in France)

Morning person or Night Owl?
night owl

Frank, Thank you so much!  Your work is oustanding!

Carrie

Wednesday, August 17, 2011

Work in Progress

Hi Everyone,

I'm sharing my work in progress with you.  I was hoping to be further along, but you know sometimes life just happens.  My weekend and week has been full of getting ready for school, a little boy that does not want to sleep, and a husband getting ready for a deployment.  It's a tad stressful and full of emotion at our house.  I'm sure you can all identify with having to juggle it all.
work in progress 23.5 x 32
Here is the beginning stages of my newest painting.  I don't have a title yet, I'm really hoping you all will help with this.  It may be early but please if anything strikes you let me know. 

I thought I'd share a little of the process.  I'm using Daniel Smith Lamp Black for the darkest areas, DS Payne's gray, Quinacridone gold, deep gold , burnt sienna, and undersea green Schmincke ultramarine blue and turquoise for my palette so far.  In the above step I've started layering in the undertones.  Payne's gray, ultramarine blue and undersea green are used on the lid.  I'm layering in the other palette colors on the jar.

In this step I'm just layering some more darkening my colors.

Here is more of the jar. I'm starting to lay in the veining of marble here.  And changing a dirty diaper, stopping a fight, letting the dog out, answering the door, cleaning up spilled juice, you know all that stuff that Monet, Rembrandt and O'Keefe had to put up with:)

So here is as far as I've gotten.  I'll post again on Friday:)

Have a great rest of the week everyone,

Carrie